Papa Grows Funk | Doin' It by the Bay Area

by Daniel Weiss • Jambase.com • July 10, 2001

 

The Bay Area, a region prone to earthquakes, braces for seismic activity yet again, as New Orleans' hottest funk unit, Papa Grows Funk touches down Wednesday for four performances in and around the Bay Area (Wed. 7/11, Thurs. 7/12, Sat. 7/14 at John Lee Hooker’s Boom Boom Room in San Francisco; Fri. 7/13 at the Powerhouse Brewing Company in Sebastapol).

There's been much ado about something since the band's now legendary post-Meters reunion show at the Paradise Lounge last November.

Believe the hype.

Barely a year old, PGF cut its teeth on New Orleans' club circuit playing weekly Monday night gigs at the Old Point Bar and Maple Leaf, and the groove is quickly spreading nation-wide. This, of course, is no surprise, given the band's marquis musicianship. Featuring the wailing B3 organ and surly vocals of founder John Gros, the ensemble also stars powerhouse drummer Russell Batiste, Jr., Gros' band mate in George Porter, Jr.’s band Runnin' Pardners. The Wild Magnolias' June Yamagishi provides ultra-funky rhythm and lead guitar, and Smilin' Myron bassist Marc Pero keeps the low end tight and nasty. Original Galactic sax man Jason Mingledorff adds the finishing touches to the all-star line-up, dubbed the “God-Child of the Meters” in one national review.

In 2001, the band has been on the move. February saw PGF hit the road, performing break out shows in Philly, Baltimore and New York, a mini-tour that proved the band road ready and a serious draw at the door. Returning to New Orleans, the band quickly checked into the studio for spring sessions which resulted in the critically acclaimed Doin' It, their independent full length debut, recorded and mixed in five days at New Orleans’ Ultrasonic Studios. The CD showcases PGF's seamless ability to fuse elements of rock, jazz and blues to the funk idiom, all the while paying homage to the great New Orleans funk tradition.

Next the band launched into a few of the tunes off their new album. It was during these original songs that the strength of the band as a whole became apparent. While many styles of music rely on the individual abilities of each band member - funk music depends on the collective interplay between band members. All the instruments fit together to create one collective sound - while still leaving enough space in the music to hear each instrument playing off the other sounds on the stage.

During this year's New Orleans Jazz and Heritage Festival, PGF virtually owned the town, with electrifying club performances overshadowed only by CD sales. Doin' It ranked in the top ten of CD sales in New Orleans retail outlets During Jazz Fest, this without a record company support or distribution deal, no CD presence at the fairgrounds, and no festival appearance.

Riding the momentum, PGF lit up the east coast a second time in late spring, flooring audiences in DC, Baltimore, Philly, and New York, where two sold out performances at Tribeca Blues Café featured guest appearances by John Mooney, Melvin Sparks, and original Meters guitarist Leo Nocentelli.

With legions of fans, brisk CD sales, and an ass-whipping live set, Papa Grows Funk is on the verge of something much larger. So if you're on the left coast this week, come out and smell the funk.

It will be wafting.